Available in 9 beautiful colors you are bound to find the eyes of your dreams here. Still looking extremely natural, Solotica Natural Colors gives the eye a sharper look than Hidrocor. Solotica Natural Colors collection also comes as yearly lens with the main difference being a slightly defined outer ring and subtle darker accents across the iris. If you’re looking for some recommendations on which to try, we recommend Solotica Hidrocor Mel for a beautiful pistachio green color, Avela if you’ve always dreamed of hazel eyes or why not try Hidrocor Safira, the latest release of color from Solotica and achieve beautiful and bright blue eyes. This collection has the strongest opacity out of the Solotica family and comes as a yearly lens meaning if cared for correctly, your lenses will last you 364 days! Sold by single lens, you can wear these lenses in plano (0.00 power) or in prescription from +5.00 right down to -10.00. The Solotica Hidrocor collection features 12 stunning colors with an additional 4 coming from the Hidrocor Rio collection. Without question the most natural colored contact lenses on the market, Solotica Hidrocor features beautiful, pigment packed colors without a defined outer ring to give an exceptionally natural finish. We’ve compared the top 3 collections, Solotica Hidrocor, Solotica Natural Colors and Solotica Aquarella to help you make your choice.ĭifference between Solotica Hidrocor, Solotica Natural Colors and Solotica Aquarella This is a cinematic poem on an epic scale and I am so very grateful for its creation.Solotica is arguably the most famous colored contact lens brand on the market and with multiple best-selling collections, different replacement cycles and colors it can be confusing which is the right one for you. I think people need to approach film with more openness and patience, and not fall into the trap of judging it in the narrow context of "entertainment". I was surprised to hear an average reaction from the crowd. I fully expected an uproarious standing ovation at the end of the screening. I can't wait to see this film again, next time hopefully in true 96 fps, which I understand unlocks an entirely new visual experience. Again, it invites one to just let it wash over you, and to enjoy the ride. The visuals sometimes get abstract in a beautiful way that reminds me of the films of Stan Brakhage, specifically Mothlight and Window Water Baby Moving. I had the impression that power chords and distortion may be the only fitting texture to score images of such raw power as thousands of tons of turbulent waves of water. There are moments where the film is scored, with Finnish heavy metal. It is not an overtly environmentalist film, other than to remind us of the power and beauty of nature, and to show some of how we interact with it. It is not a narrative journey, but a visual and sensual one, that allows time and space to contemplate part of the world we live in, both in celebration and contemplation of human's impact. The sound is immersive in a way that no other film I have seen has been, and it invites one to surrender and sink into the film. It is a cinematic poem and of visual glory, awe-inspiring power and incredible natural sounds, mixed and designed in Dolby Atmos surround. Frozen, still, turbulent, graceful, violent, beautiful, it is all there, painstakingly captured with top shelf equipment and cinematography. That is fascinating, but the film really gets going when it get's past any promise of overall narrative, and begins with its true purpose: to offer a privileged window into the true awesomeness of the water on this planet. The opening is narratively engaging, yes, with humans and story. I was enthralled by it and sad when it ended. I saw it at Sundance a couple of days ago.
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